- Edwards, James (2019): Colonialism. In: Sturman, Janet (Hrsg.): The SAGE Encyclopedia of Music and Culture. Thousand Oaks, CA: Sage Publications.
- Edwards, James (2019): Indonesia: Modern Performance Practices. In: Sturman, Janet (Hrsg.): The SAGE Encyclopedia of Music and Culture. Thousand Oaks, CA: Sage Publications.
- Edwards, James (2019): Music Recommender Systems. In: Sturman, Janet (Hrsg.): The SAGE Encyclopedia of Music and Culture. Thousand Oaks, CA: Sage Publications.
- Edwards, James (2019): Public Sector Ethnomusicology. In: Sturman, Janet (Hrsg.): The SAGE Encyclopedia of Music and Culture. Thousand Oaks, CA: Sage Publications.
- Edwards, James (2018): A Field Report from Okinawa, Japan: Ecomusicology and the 100-Year Kuruchi Forest Project. In: MUSICultures 45(1-2), S. 136-145.
- Edwards, James. (2016): Critical Theory in Ecomusicology. In: Allen, Aaron S. / Dawe, Kevin (Hrsg.): Current Directions in Ecomusicology: Music, Nature, Environment. New York: Routledge, S. 153-164.
- Edwards, James / Nakazato, Masao (2016): Timizi nu in (The Bond of Water in Hands): An Early Period Kumiodori, as Staged by the National Theatre Okinawa. In: Asian Theatre Journal 33(2), S. 270-309.
- Edwards, James (2016): Review of Wendy Matsumura, The Limits of Okinawa: Japanese Capitalism, Living Labor, and Theorizations of Community (Duke University Press). In: Marx & Philosophy Review of Books. Online: http://marxandphilosophy.org.uk/reviewofbooks/reviews/2016/2466
- Edwards, James (2016): Gairaisha no mita Ryūkyū geinō: Ufuaragushiku chūyūden [jō ka] (Ryūkyūan Performing Arts Through Foreign Eyes: The Legend of Loyal Retainer Ufuaragushiku [Parts I, II ]). In: Okinawa Times, 2-3 August 2016.
- Edwards, James (2015): Bunka gaikō no gijutsu wo hakki (Demonstrating the Arts of Cultural Diplomacy). Okinawa Times, 6 October 2015.
- Edwards, James (2015): Uyanma (The Kept Woman): Art and Politics in Meiji Period Okinawa. In: Japan Studies Association Journal 13, S. 132 146.
- Edwards, James (2014): Impossible Properties: Language and Legitimacy in Ong Keng Sen's Lear. In: International Journal of Asia Pacific Studies 10(2), S. 13-34.
- Edwards, James (2012): Theory Between Inside and Outside: A Response to Zachary Wallmark's “Sacred Abjection in Zen Shakuhachi.” In: Ethnomusicology Review 17. Online: https://ethnomusicologyreview.ucla.edu/journal/volume/17/piece/584
- Edwards, James. (2012): Review of Marvin Sterling, Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan (Duke University Press). In: Perfect Beat 13(2): 189-191.
- Edwards, James (2011): Silence By My Noise: An Ecocritical Aesthetic of Noise in Japanese Traditional Sound Culture and the Sound Art of Akita Masami. In: Green Letters: Studies in Ecocriticism 15, S. 89-102.
